Finelli himself chose the title for this exhibition as he borrowed it from an article by Michael Kimmelman on Joseph J. Schildkraut, published on The New York Times (December 31, 2006); Finelli was fascinated by it, as it summarized into a few words the likewise fascinating meaning of Dr. Schildkraut’s work, at least as far as the research on melancholic depression in art is concerned.