Almost a whole decade in the artistic opus of Nevzat Bejtuli Kica is dominated by the theme Man and
horse or Man and his horse. These two figures in the works of Bejtuli are constantly in certain juxtaposition. The clarification of the theme (The man and his horse) is only intended to make a more comprehensible distinction in the man-horse relationship. Not only does this relationship inflict the general division between man and nature, but in the case of this great series of works by Bejtuli the two symbols are intertwined and presented in a variable relation. The man is almost at all times represented as a dervish and the figure of the horse is always “his” horse. This note about the relationship of the two is mainly aimed at accentuating the further differences and tensions between them or the opposit them being synchronized in the world of endless variations already named Man and horse.

Images of fruits hanging in unreal spaces, abstract, detached from nature and life. This is a carrying image that appears and reappears in different variations in the graphics of Behar Ferati. These are associative compositions with the elements that refer to certain reality, very close to the author and that in the appearance they carry undefined messages. But in fact, his graphics are meditations that carry you near the nature and that transmit to the audience the timbre of the silent drama that talks through form, colour, line and texture.