The philosophical thought of the composition is painting an inductive-deductive process in intimate correlation with the onto-theo-theological time. The ideoplastic of the subject with title SINGULARITY 49 refers to the cosmological conditions and the micro-macro views such as motion, intersection, symmetry, polarity, familiarity, union… The styled shapes are crossed-over and multiplicated elements-bodies (bones), indicating anthropological reference; most than anything, individuality. Such tropological content builds and suggests methods or possible variations of existence, points of view, attitude… forms of probability, simple mental morphemes, or just art realities.