For this reason and in this context, Marin Dimeski’s exhibition in Manhattan, New York, is an aestheticized and latent critique and statement about the consequences of truncated Westernization of cultures that do not need it at all. This is an act of and a call to reculturalization, distinct revitalization, genuine and profound respect for other cultures, and not merely a superficial and lucrative understanding in terms of globalizing multiculturalism.