Han, Sung-Soo
‘A Universal Truth’, July 16 – 29, 2012, Artist name: Han, Sung-Soo
A Universal Truth and Hybrid
Hybrid, a way of thinking, which brings out the expansion of thinking as recognizing, deconstructing and mixing, is creating another species using hybrid mechanism both tangibly and intangibly in modern days. Different with past that studied the single code like drilling a hole, it studies through the decodifiying and mutidirectional interaction in the field of the science, economics, art and agriculture. Furthermore there is a situation that mixes across the boundary of each other and creates continuously something.
In the future the coming of android is expected and hybrid will advance unceasingly. That is, the aspect of ‘A Universal Truth’ that we believe is going to be changed. There will be no boundary between the animal and the plant and the machine and the living thing will be mixed. That means the desire of human makes species change with the power of the imagination. It can be translated as human beings go against the god, but human beings must ‘create’ things to identify themselves continuously (instinctive achievement of desire), so the world of hybrid will never stop.
The work from the researcher with these thoughts mixes, breaks, cuts, unrelates the living things and the artificial machineries, and makes another relation with the original. The process of the junction, the other sides of Deconstruction, its order can be hypocritical or disguised, but it aims Jacques Derrida’s the rewriting of the absolute relations, so it reveals the process of the reconstruction like hypallage and fusing.
The work of researcher is not a mechanical structure with the function nor a living thing. Unintended things is blended in the same space and built in an ambiguous form. Then, because the distinguishable character of the things gives effects to each other, it may exert a greater influence or becomes fragmentation accidentally. That is, the true faith is separated. ‘The separation of faith’ can be interpreted as the researcher’s consciousness like the following.
Researchers feels the law dangerous that made by human who hopes and longs an ideal is wrapped as a truth. In other words, it means the situation that people believe the succeeded thought, theory, and the law by blind faith and acknowledge it as a absolute and universal truth. However, due to the emergence of hybrid that made unexpected circumstances, it began to take power to deny beyond doubt. That is the deconstruction of ‘A Universal Truth’ from the current human being trying to research the God’s area.
Like this, the work series of the researcher is giving a critical guideline not to be in the ceased and fixed situation. It starts with ‘breaking’ and ‘fragmentation’ and becomes the ignition with pleasure of delight that denies ‘universal truth’ as a mutation of chaos.
The Work Note
Completed Ph. D Coursework, Major Painting, Hongik University, Seoul, Korea
M.F.A Major Painting, Hongik University, Seoul, Korea
M.A.E Major Art Education, Chungbuk National University, Cheongju, Korea
B.F.A Major Painting, Chungbuk National University, Cheongju, Korea
Residency Program:
2011 Residency Unlimited, New york, Usa
2010 Cheongju-City Art Studio 1st long-term Residence Artist, Cheongju, Korea
Solo Exhibition:
2011 ‘A Universal Truth’, Moosim Gallery, Cheongju, Korea
‘A Universal Truth’, Gallery Grimson, Seoul, Korea
‘A universal truth’ Gallery MC, New York
2010 ‘A Universal Truth’, Insa Art Center, Seoul, Korea
2009 ‘Wandering’, Gallery Iang, Seoul, Korea
2007 ‘The Inner Face’, Cheongju art studio, Cheongju, Korea
Art Fair
2010 NAAF Japan National Tokyo Art Fair, Sunshine City, Japan
Belgium LINE International Art Fair, Planders Expo, Belgium.
Main Group Exhibition
2012 ‘Seven Artist’, Schema Gallery, Cheongwon, Korea
2011 ‘EXIT 2011’, Woomin Art Center, Cheongju, Korea
Award Exhibition of‘The Artist of the Year’ from Musim Art Society,
Daecheong ho Art Museum, Cheongwon, Korea
A STRATUM of KOREAN TODAY ART in KOREA&JAPAN, Saga Univ Gallery, Kyoto, Japan
& Schema Gallery, Cheongwon, Korea
Invitation Exhibit of Gwanghwamun International Art Festival, Sejong Center for Performing
Art, Seoul, Korea
‘Boring Hill’, Gallery YOU, Naesu, Cheongwon, Korea
suppoment.com Memorial Exhibition Launched, DOOSAN art square, Seoul, Korea
A STRATUM of KOREAN TODAY ART in KOREA&JAPAN
2010 Transition, SONO Factory, Seoul, Korea
Asia Network Beyond Design, Korea, Japan, China, Taiwan
EXIT-‘CRAZY SENSITIVITY’, Chungbuk province Governor House, Cheongju, Korea
‘HUG’, Gallery Kwanhoon, Seoul, Korea
Aspect ‘Summer Diamond’, Schema Art Museum, Cheongwon, Korea
Garden of remembrance, Chungbuk province Governor House, Cheongju, Korea
‘Similerety-Difference’ Artist in Residence, Pyeongsong Cultural Center, Daejeon, Korea
ICA International Contemporary Arts Exhibition Association, KEPCO Art Center, Seoul, Korea
2009 CHANG JARK Fine Arts Association, Sejong Cultural Center, Seoul, Korea
Opened of intelligence, Seoul Arts Center, Korea
2008 ‘Beautiful walk’, Shin art museum, Cheongju, Korea
Book+Art – Nonsense of Knowledge, Cheongju Arts Center, Korea
Art Market, Cheongju Art Studio, Cheongju, Korea
2007 The 1st Cheongju art studio ‘OPEN STUDIO’, Cheongju art studio, Korea
‘Art Museum is my friend’, Shin Art Museum, Cheongju, Korea
Contemporary Expressions of Korea Young Artist, Hanaro Gallery, Seoul, Korea
Selected Collection:
Schema art museum, Naesu-eup, Korea,
Chungbuk National University, Cheongju, Korea
Private Collection
Present
Lecturer of Chungbuk National University, Seowon University, Cheongju, Korea
