BIO-GEO-THEO
Antoni Maznevski
Opening: Friday, October 23th 2009, 6 – 9 p.m.
Antoni Maznevski on his proper work from 2006, titled “ BIO-GEO-THEO”
Explanation of a (possible) theoretical background:
The founding philosophical thought of this visual research casts the light on the double, inductive-deductive nature of my understandings.
That thought correlates and sympathizes with the onto-theo-technological burden of apprehending.
The ideoplastics of the theme (titled ”Bio-Geo-Theo”) creates a relationship with the cosmological (universal?!) conditions and with micro-macro perspectives such as: movement, the crossing, the symmetry, the polarization, the familiarity, the mutuality, etc.
36°C, 2007, latex, 90 x 90 x 120
39°C, 2007, latex, 80 x 80 x 70
Erogenous, 2005-2007, wood and plastics, 45 x 30 x 35
Morphological unit f, 2007, mediapan, 200 x 46 x 60
Plexi 10, 2008, print on plexiglass, 45 x 32
Plexi 11, 2008, print on plexiglass, 45 x 32
Plexi 12, 2008, print on plexiglass, 45 x 32
Plexi 13, 2008, print on plexiglass, 45 x 32
Plexi 14, 2008, print on plexiglass, 45 x 32
Plexi 15, 2008, print on plexiglass, 45 x 32
Plexi 16, 2008, print on plexiglass, 45 x 32
Plexi 5, 2008, print on plexiglass, 45 x 32
Plexi 6, 2008, print on plexiglass, 45 x 32
Plexi 7, 2008, print on plexiglass, 45 x 32
Plexi 8, 2008, print on plexiglass, 45 x 32
Plexi 9, 2008, print on plexiglass, 45 x 32
Synthetical Biogenes 101 and 102, 2006, plexiglass, 80 x 180 x 0,4
Synthetical Biogene 103, 2007, plexiglass, 180 x 60 x 0,4
Uranoplastic I, 2006/7, plastics, 32 x 12 x 6
Shapes and figures I am drawing are actually crossed and multiplied curves which are supposed to incite an anthropological interpretation and above all to arrive at the individuality (identity?!).
This contens of the figures of speech-tropes, makes and proposes methods or possible variances of existence, of apprehension and behavior…templates of probability, common mental morphemes or, simply, visual realties?!
On the technical description:
Usage of ready-mades is a constant feature of my artistic practices.
In this case the curve as a model stands for the means and is the sole physical component of the visual structure on the whole.
Various treatments of the curve and their representation and transformation are involved in shaping a complex visual plane.
